Foam Mic Windscreen Cover – Studio & Stage Sponge Cap 5–35 Pack

Foam Mic Windscreen Cover – Studio & Stage Sponge Cap 5–35 Pack

35pcs random
$19.69
Sale price  $19.69 Regular price  $24.39
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Foam Mic Windscreen Cover – Studio & Stage Sponge Cap 5–35 Pack

Foam Mic Windscreen Cover – Studio & Stage Sponge Cap 5–35 Pack

$19.69
Sale price  $19.69 Regular price  $24.39
Color

Keep Your Sound Clean & Clear

Achieve professional-quality audio every time with these thick foam microphone windscreen covers. Designed for handheld stage microphones, these sponge caps effectively block wind interference, breath noise, and moisture so your recordings and live performances sound their absolute best.

Whether you're recording in a studio, performing on stage, or hosting a podcast, these windscreens are an essential, low-cost upgrade for any microphone setup. Available in packs of 5 to 35, stock up and never be caught without a clean cover again.

Key Features

  • Wind & Pop Reduction: Thick foam construction blocks unwanted wind noise, plosive sounds, and vocal spray for cleaner audio capture.
  • Snug, Secure Fit: Inner diameter of approximately 1.4 inches (3.5 cm) stretches to grip most standard handheld stage microphones firmly in place.
  • Compact Size: Height of approximately 2.7 inches (7 cm) — lightweight and unobtrusive so it won't affect your performance.
  • Soft, Durable Foam: Made from high-quality open-cell foam that is gentle on your mic's grille while offering long-lasting protection.
  • Easy to Use: Simply slip over your microphone head — no tools or installation required.
  • Multi-Pack Value: Choose from 5 to 35 pieces to cover your whole team, venue, or studio inventory.
  • Random Color Assortment: Comes in a fun variety of colors — great for color-coding mics at events or rehearsals.

Specifications

  • Material: High-density foam
  • Height: Approx. 2.7 inches (7 cm)
  • Inner Diameter: Approx. 1.4 inches (3.5 cm)
  • Colors: Random assortment
  • Compatibility: Handheld stage microphones only (not compatible with headset microphones)
  • Pack Size: Available in 5–35 pieces
  • Made in China

Please note: Dimensions are hand-measured and may vary by approximately 1–2 cm. Please specify your preferred quantity/color option at checkout.

Pair It With Your Audio Setup

Looking to complete your audio kit? Check out our 1.5M Nylon Braided 3.5mm AUX Audio Cable for reliable wired connections, or explore our 10-Grid Wall Mounted Rack for convenient mic and accessory storage solutions.

For tips on achieving the best recording quality and understanding microphone technique, visit the CDC's communication resources or explore audio standards guidance at NIST.gov.

Frequently Asked Questions

Q: Are these foam microphone windscreen covers compatible with all microphone types?

A: These foam mic windscreen covers are designed specifically for standard handheld stage microphones with a grille head. They are not compatible with headset, lavalier, or condenser microphones with non-standard head sizes. The inner diameter is approximately 1.4 inches (3.5 cm), which fits most common dynamic handheld stage mics.

Q: How many covers come in a pack and can I choose specific colors?

A: These foam mic sponge caps are available in multi-packs ranging from 5 to 35 pieces. Colors are assorted at random; however, you are welcome to indicate your color preferences in your order notes and we will do our best to accommodate.

Q: How do I clean these microphone foam windscreens?

A: To clean your foam mic covers, gently hand-wash them in warm water with a small amount of mild soap. Rinse thoroughly and allow them to air dry completely before placing them back on your microphone. Avoid wringing or twisting the foam to maintain its shape and density.

Q: Will these windscreens affect my microphone's sound quality?

A: High-quality open-cell foam is specifically engineered to minimize wind and breath interference while allowing clear audio transmission. The foam may slightly reduce very high frequencies at close range, but for live stage use and general studio recording this effect is negligible and far outweighed by the noise-reduction benefits.

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